Director-editor Loschiavo capably accounts the family titles (Faith Hill, Garth Brooks, Kacey Musgraves) and unsung heroes (open-mic hopefuls, songwriters little known beyond the Nashville music community) from the cavalcade of all interviewees who, together with levels of excitement which range from nostalgic to reverential, tell the story of the unlikely landmark in an unlikely setting.
Found in the midst of an unprepossessing strip-mall shopping centre in the Green Hills area of Nashville, The Bluebird Café is a 90-seat restaurant and music center which creator Amy Kurland opened in 1982 as a traditional eatery featuring live performances, but slowly transformed to a location where up-and-coming songwriters could play their compositions through open-mic nights -- along with other musicians (including more recognized songwriters, open-mic alumni, and chart-topping notables) may play and sing their own songs and substance by other musicians.
"It is kind of a blend of your living area plus a church sanctuary," says award-winning singer-songwriter Sam Hunt, merely one of those interviewees who describe how close a celebrity is into the small but attentive crowd during every stage-in-the-round place at the café. (Full disclosure: I have been there a few of times -- and, if anything else, it is really a less broad place than it seems here.)
The instant feedback could be daunting -- just one performer asserts she can not sing particular songs without detecting the tears forming at the opinion of listeners -- and humorous. Jason Isbell recalls being nervous during the very first public performance of"Streetlights" in the Bluebird he fumbled his own lyrics. But after getting compliments particularly for what he knew was a screw-up, he chose to alter the words that he wrote into the words he sang.
"Bluebird" abounds with stories of singer-songwriters who obtained their first major break whilst acting in the café on just the correct night, when listing company heavyweights were at the crowd. Taylor Swift is infectiously exuberant through an unannounced, audience-astonishing return trip because she recalls being viewed, and signed, by Scott Borchetta because of his then-new major Machine tag when she was only 14 years old.
As counterpoint, but the documentary does allow for a few marginally discouraging words to be noticed. Eric Paslay, writer or co-writer of these county strikes as"Barefoot Blue Jean Night" and"Even if It Breaks Your Heart," pointedly warns that"some of the best songs that have been written" will not be heard following their one-time-only performance in the Bluebird. The café's staffers responsible for culling the set of songwriters jockeying to get a shot overnight stardom -- or at least a place on the open-mic lineup -- acknowledge:"You have got to be cautious to be only encouraging sufficient "
Cinematically speaking,"Bluebird" is not the eponymous place's first rodeo. Trisha Yearwood (another"Bluebird" interviewee here) fleetingly appears as herself in that earlier film, in a scene which suggests the ideal method to get a songwriter to receive a rest in Nashville would be to split into a Nashville celebrity's car.
During the show's series on ABC and CMT, the TV series (which has been entice audiences through streaming reruns) frequently placed its characters within a meticulously detailed lookalike set onto a Nashville soundstage that persuasively doubled to the actual Bluebird. From the documentary, singer-songwriter Steve Earle marvels:"It is frightening how true it is." Adds series celebrity Charles Esten:"This is not only a set or place. '''
A large part of"Bluebird" concentrates on what could best be called The"Nashville" Impact. Esten, Connie Britton along with other specialists of the show talk warmly and discuss manners the TV series gained emanates from country music lovers by spending a lot time in the artificial Bluebird. (So much cred, in actuality, that though it is not highlighted here, Esten, Clare Bowen and also some different singer-actors from the cast have had numerous chances to show their musical bona fides in international concert tours, and also about the Grand Ole Opry stage.) Subsequently, the show raised the true place's profile as a tourist attraction, fortuitously resulting in a huge spike in admissions in a time when viewers presence was dwindling.
Even now, she adds,"a third of our revenue comes from product" bought by people attracted to the café from the TV series -- and, needless to say, from the location's iconic standing.